Shot partially in a working textile manufacturing facility, “The Cry of the Youngsters” was recognized by an influential critic of the time as “The boldest, most timely and simplest enchantment for the stamping out of the cruelest of all social abuses.” It was a part of a wave of “social downside” movies released in the course of the 1910s on such subjects as medication and alcohol, white slavery, immigrants and girls’s suffrage.
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